Rose Duchesneau and her students at Central Heights Elementary
School created this community profile and collected the sounds
presented here in connection with the 2004-05 Geography Action!
theme, "Cultures: The
Sound of Place." National Geographic has not researched or edited this
page.
Welcome to our community from the sixth graders of Central Heights
Elementary School in Billings, Montana, zip code 59102. We are a
school of 372 students in Kindergarten through Sixth Grade living in
the west end region of our city of nearly 100,000 people. Our school
is located near the retail hub of the city as it sprawls into the
agricultural region of Yellowstone County. The sandstone rims of the
Yellowstone River Valley define our community geographically.
Most Distinctive Sound (.mp3 file):
Freight Train. He rolls over in bed at the sound of the garage
door opening and glances at the clock: 4:30 a.m. His wife is off to
record the perfect sound, the most distinctive sound of the community
of Billings, Montana. He has become accustomed to this bizarre behavior
from his partner since she embarked upon the journey of collecting
sounds that reflect the culture of this place they call home. This
early morning in the light of the waning moon, she has driven the two
miles to the railroad track where she hopes to capture the sound of
the train whistle unobstructed by the usually busy city traffic. Most
days at this time, they are content to hear the whistle from a
distance, but this morning she will be close enough to record the hiss
of the engine, the clank and squeak of the wheels, the rocking of the
cars, and the shriek of the whistle as the Montana Rail Link train
ambles along on the tracks.
Since the arrival of the first Northern Pacific Railroad train on
August 22, 1882, the long, lonesome whistle of its engine has been
heard along the banks of the Yellowstone River. This distinctive sound
shaped the culture, bringing businesses of all kinds. The most
dominant was livestock. Cattle remain an economic mainstay of the
state. Night or day the whistle portends the development of the valley
and is such a part of the "soundscape" that most people take it for
granted, much as they do the many sounds of this growing urban center
in south central Montana.
The Sound of Human/Environment Interaction
(.mp3 file): Blacksmiths. Blacksmiths hammering on their anvils
have been a familiar sound to Montanans since settlers began arriving
by horse and wagon. Not many of these tradesmen have survived the
modernization of the West. The sound of the hammer hitting the anvil
the day of our recording was that of a smith molding a horseshoe nail
into a spoon for a tourist at a local commemorative gathering. As we
walked around the grounds of the park, the sound of the smith at his
anvil rang through the crowds of people and was a constant reminder of
our heritage and dependence upon the horse as a mode of
transportation, beast of burden, and friend.
The Sound of Change (.mp3 file): Crow
Push Dance. The proud dancer waits in the wings of the makeshift
stage for his introduction by the tribal elder. Young people in this
culture do not introduce themselves or each other. As a gesture of
respect and deference to the "wisdom of age," only the elders of the
tribe are permitted to speak publicly. Singers and drummers are
introduced. Finally, it is time for the young dancer to perform his
native dance in a stunning costume that attracts much attention from
the audience of tourists and local residents. Tribal elder Barney Old
Coyote explains the significance of the singing, dances, and music.
The dance chosen for our recording was the Push Dance. This particular
dance was inspired by early contacts of Crow Indians with the white
culture. It is a blending of the cultures and illustrates the changes
and adaptations that have taken place over time in this region of our
country. The Push Dance resembles the Two-Step danced by early
settlers who came to Montana. Dancers face each other in the embrace
of the Two-Step and dance the steps and music of traditional Crow song
and drums. Members of the audience were asked to join the native
dancers, to share in this fun celebration of heritage and culture. We
have learned much from each other and the lessons of history are
vibrantly alive today.
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